4x17 - Days of a Past Dark Future

[Prue Brianna Johnna Halliwell]

DESTINED

'DAYS OF A PAST DARK FUTURE'

TEASER

BLACK SCREEN

IT READS:

THE WORLD, 2061

FADE IN:

EXT. PARIS (FRANCE) – DAY (2061)

ON THE EIFFEL TOWER – Seems darker.

The ambiance around seems darker too. People seem sad. Some of the men and women wear black suits. They wear earpieces. They look like security guards, but they are actually demons working as security guards.

It has nothing to do with the Paris we all know.

CUT TO:

EXT. LONDON (UNITED KINGDOM) – DAY (2061)

ON THE BIG BEN AND THE HOUSES OF PARLIAMENT – The scenario it’s the same here.

People walk down the streets with their glare down. Demons, both male, and female secure the streets.

CUT TO:

EXT. RIO DE JANEIRO (BRASIL) – DAY (2061)

ON THE CHRIST THE REDEEMER AND THE SUGARLOAF MOUNTAIN – Same scenario here.

CUT TO:

EXT. NEW YORK (UNITED STATES OF AMERICA) – DAY – (2061)

ON STATUE OF LIBERTY AND MANHATTAN – Things are the same here.

What a dark World!

CUT TO:

EXT. SAN FRANCISCO – DAY (2061)

ON GOLDEN GATE BRIDGE – Same scenario. The bridge seems darker than before. The whole World seems darker. The air itself seems darker.

CUT TO:

EXT. SAN FRANCISCO – STREET – DAY (2061)

A group of people is reunited before a small old building. Some demoniac security guards are around them, controlling the group of spectators.

And then ---

SOUND – EXPLOSION. The building the group of people is looking at, it explodes.

Some of them seem sad about it.

MAN

(to a woman next to him)

Where there people inside?

WOMAN

A group of rebels. They resisted all they could.

MAN

They just killed them?

The woman glances at the man.

WOMAN

Look at them ---

The man looks at the Demonic Security Guards.

WOMAN (CONT'D)

Whoever is against them has only one way out ---

(pauses)

--- Death.

MAN

I was a kid, but I still remember when this world was beautiful.

WOMAN

It’s a dark world now. Ruled by evil. They don’t even care about their own kind. Witches or humans. If you are not with them, you are against them.

MAN

Are you a witch?

She nods yes.

WOMAN

One of the few that still resist this evil world.

Then, the Demonic Security Guards start asking the group of spectators to disperse.

CUT TO:

EXT. SAN FRANCISCO – ALLEY – DAY (2061)

A witch, TALITHA (28), comes running desperately. She’s holding some small object in her hands. Every now and then she looks over her shoulder and keeps running.

ON A PILE OF PALLETS – They fall on the ground like if someone had thrown them magically speaking.

Talitha stops. She is scared. Truly scared. She feels people approaching from behind.

PRUE (O.S.)

There’s no way out, Talitha.

Talitha turns around and ---

BEAT. In front of her, there’s an older Prue. Older, but still young. Like years don’t pass for this woman. She’s twenty-six years older but looks like in her 30’s. She is wearing black pants, a black top, and black leather jacket. Her expression ---

Prue looks imposing. Tough. Severe. Heartless. Wicked. Evil.

Behind Prue, there’s a blonde woman standing there. She’s wearing a black set of pants and a top. Evil is notorious in her face.

TALITHA

You can’t have it.

PRUE

I can and I will.

Talitha holds whatever she has in her hands with all the strength she’s got.

Prue reaches out her hand with the palm turned up.

PRUE (CONT'D)

Hand it to me, Talitha and I might give you a chance to scape.

TALITHA

Never. You can’t have the stone.

The blonde woman behind Prue steps forward.

MICHAELA

Hand it over or you’ll have a painful death.

PRUE

(bossy)

Step back, Michaela. I’ll handle this.

BEAT – This woman is not other than Michaela, the Firestarter. Older, but just like Prue, it seems like the years haven't passed for her.

Michaela glances at Prue and then does as she said. Prue turns to Talitha.

PRUE (CONT'D)

I don’t want to kill you, Talitha. You could be an asset to us.

TALITHA

I don’t want to be an asset to you or any of your kind.

PRUE

Show some respect to me, girl.

A tear comes running down Talitha’s face. Maybe she knows what the future holds for her.

TALITHA

You are not my Queen.

Prue WAVES her hand and whatever Talitha is holding DISAPPEARS from her hand and REAPPEARS in Prue’s hand.

ON PRUE’S HAND – A small stone APPEARS THERE. It is dark purple.

Talitha looks at her empty hands. She looks up at Prue.

TALITHA (CONT'D)

Please ---

Prue looks at the stone and smiles. She closes her hand over the stone.

PRUE

I wish we could do this the easy way, Talitha.

Prue looks at Talitha.

ON MICHAELA – She smirks.

Michaels touches her temples and starts focusing. A ball of fire starts forming in front of Michaela. Talitha looks at it and gets even more scared.

TALITHA

Please, don’t resurrect the Terracotta Army. Please.

Prue stares at Talitha.

ON THE BALL OF FIRE – It gets bigger and bigger.

OFF TO – And older Melinda ORBS in, surrounded in purple orbs, behind Talitha. Unlike Prue, Melinda looks older. She has some white hair that is visible in her blonde hair.

MELINDA

Prue, don’t!

Prue looks at Melinda.

PRUE

Mel.

Melinda runs towards Talitha.

ON MICHAELA – She throws the ball of fire against Talitha as Melinda runs towards her.
Prue WAVES her hands, deviating the ball of fire against the pile of pallets.
Melinda stands before Talitha staring at Prue.

MELINDA

That stone is powerful, Prue. Please don’t use it.

PRUE

You can’t tell me what to do Mel. Now, I can ask you to leave. 

MELINDA

You can’t tell what to do either, Prue.

PRUE

I’m your Queen.

MELINDA

You are my cousin.

MICHAELA

We should end them both.

PRUE

(bossy)

Step back, Michaela. I’m warning you.

MICHAELA

Yes, boss.

Michaela steps back staring at Melinda.

PRUE

Leave, Mel.

MELINDA

No.

Not thinking twice, Michaela, behind Prue, creates a big FIREBALL.

OFF TO SOMEONE ORBING IN SURROUNDED BY PURPLES ORBS – Jo ORBS in.

JO

Aunt Mel.

Prue, Melinda, and Talitha look at Jo.

Michaela throws the FIREBALL against Melinda and Talitha.

JO (CONT'D)

Watch out!

Melinda and Talitha turn around but are not too fast to deviate from the ball of fire. Even Prue is not too fast to deviate the FIREBALL herself. Both Melinda and Talitha get hit.

Jo runs quickly to Melinda whos laying on the floor.

ON MELINDA – Her eyes are open. She seems ---

JO (CONT'D)

(out loud)

NOOOO!

ON MELINDA – Death.

Prue is astonished. She looks back at Michaela.

PRUE

(mad)

What did you do?

MICHAELA

My orders were to kill.

PRUE

(upset)

Well, you answer to me and my orders to you were to step back.

Prue turns to Melinda and Jo.

ON MELINDA’S BODY – It’s covered by blood. Jo has her hand over her body. They don’t shine.

Jo is desperate. Her healing powers are not working.

PRUE (CONT'D)

(to Michaela)

LEAVE!

Michaela stares at Prue.

PRUE (CONT'D)

NOW!

Michaela starts walking back. She turns around and leaves. Prue turns to Melinda and Jo.

Jo is failing in healing Melinda. She doesn’t wake up. Prue tries to approach them. Jo looks up at her mother.

JO

No. Stay away from us.

Jo shoots Prue a hateful glare. Prue stops.

JO (CONT'D)

(looks at Melinda)

She’s dead.

PRUE

No.

A tear runs down Prue’s face.

OFF TO MATT – He ORBS in and looks at them.

MATT

What happened?

Matt approaches them.

JO

(looks at Prue)

She killed her.

PRUE

No.

Matt lowers down next to Melinda and puts his hands over her. Nothing. Jo cries hard.

JO

She cannot die, Matt.

Matt’s expression changes to sad.

JO (CONT'D)

She’s the only mother I ever knew.

Jo glances at Prue.

JO (CONT'D)

She killed her.

PRUE

I’m so sorry ---

(pauses)

--- I didn’t mean to ---

Jo stands. She looks at Prue with hate.

JO

You’ll carry her death on your shoulders for as long as you’ll live.

PRUE

(suffering)

Don’t speak like that to me, please. I’m your mother.

JO

(crying; really upset)

The only mother I ever knew was just killed by you.

PRUE

No.

JO

Get out of my life, Prue!

Prue is suffering. She looks at Matt.

MATT

Aunt Prue ---

(pauses)

--- Please.

Prue looks at her daughter one last time and then, a dark glow originates at her heart and, she DARK BEAMS out.

Jo, with wet eyes, turns around and lowers down before Melinda. She takes Melinda’s hand while crying.

Matt puts his right hand over Melinda’s eyes and closes them.

ON MELINDA’S DEAD FACE.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Matt Bomer as Damon

Jensen Ackles as Eric

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Emilie de Ravin as Blanche

Matt Lanter as Matt

Alex Mauriello as Aisling (Oracle)

Nina Dobrev as Patience

Alexandra Chando as Peri

Colton Haynes as Pierce

Michelle Trachtenberg as Phoenix

Jennifer Morrison as Ella

Zoey Deutch as Peyton

Tiera Skovbye as Victoria

Addison Timlin as Posie

Andrew J. West as David

Hayden Panettiere as Michaela

Unknown actors and actresses as Security Demons

Unknown actors and actresses as Servants

Unknown actor and actress as Man and Woman

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO – NIGHT (2061)

Several footages all over the town at the sound of ‘Through The Rain’ by Mariah Carey. A dark night covers the town.

CUT TO:

EXT. PRESCOTT MANOR – NIGHT (2061)

The manor seems darker. Evil certainly lives here.

CUT TO:

INT. PRESCOTT MANOR – DUNGEONS – NIGHT (2061)

ON MAN’S FEET – Expensive shoes. Walks down the stairs. It reaches the bottom of the stairs. Keeps walking down the long and dark hall. The corridor is lit by torches. Still, it’s dark. He stops in front of a heavy door. The door opens. He walks in.

CUT TO:

INT. PRESCOTT MANOR – DUNGEONS – ROOM OF CELLS (2061)

ON PRISONER INSIDE A CELL – This dark-haired man has his head down. His clothes seem to be worn.

The ‘expensive shoe man’ comes in.

CAMERA MOVES UP – Slowly. Showing that not only his shoes are expensive but also the grey suit he wears.

CAMERA REACHES THE MAN’S FACE.

ON PIERCE’S FACE – He is serious.

ON THE PRISONER – From behind the bars, the man starts raising up his head, like if he is trying to find the strength to face his visitor.

BEAT – The Prisoner is DAMON himself.

ON PIERCE - He is serious.

MUSIC FADES OFF.

PIERCE

Hello, father!

Pierce smirks.

CUT TO:

INT. PRESCOTT MANOR – CATACOMBS – ROOM OF CELLS - SECONDS LATER (2061)

Pierce stands, imposing, before Damon. Damon looks up at his son.

DAMON

Son ---

PIERCE

(cold)

I’ve got some news for you. I just wish you can understand once and for all we are not here to play and decide to finally join us.

Damon stands with some difficulties. He seems like he’s has spent years inside that cell. He looks at his son.

DAMON

Never!

PIERCE

(smirks)

You are tough, I’ll give you that. But it won’t end well for you if you keep saying no to the Source.

DAMON

I don’t care about him. I don’t care about anything else. I just want you to wake up and realize that this is not who we are.

Pierce looks away.

DAMON (CONT'D)

I just want us to leave this place and join your mother.

Pierce smirks.

DAMON (CONT'D)

It’s been fifteen years, son. Don’t you miss her?

PIERCE

Miss who?

Pierce seems resentful.

PIERCE (CONT'D)

A woman who was offered the chance to live with her husband and son and refused to?

Pierce walks towards the bars.

PIERCE (CONT'D)

She just had to say yes to the Source and join us.

DAMON

And stop being who she is?

PIERCE

(smiles sarcastic)

Well, look at what the resistance took her?

Both stare at one another.

PIERCE (CONT'D)

That’s the new I’ve got for you.

Damon swallows. Somehow, he knows what’s the next words that’ll come from his son’s mouth.

PIERCE (CONT'D)

She’s dead.

Still, Damon can’t believe it.

DAMON

No.

PIERCE

Yes, she is. She could have it all, dad. She just had to say the word.

Damon gets weaker.

PIERCE (CONT'D)

(mad)

Instead, she chose to stay there. Fighting a lost battle.

Tears run down Damon’s face.

DAMON

Mel ---

Damon looks at Pierce.

DAMON (CONT'D)

It’s not possible.

PIERCE

(with disdain)

You should better ask the Source to have mercy on you and give you a peaceful death.

Damon is hurting.

PIERCE (CONT'D)

She had what she deserved, dad. But you still have a chance to make things better.

PRUE (O.S.)

Stop!

Pierce turns around. Prue stands on the doorway. She’s wearing the same clothes as before.

PRUE (CONT'D)

You’ve said enough, Pierce.

PIERCE

Aunt Prue ---

PRUE

(walking towards him; severe)

She was your mother and I don’t allow you to refer to her with such bad words.

Prue stands before Pierce.

PRUE (CONT'D)

No matter what, she was your mother.

Pierce lowers his gaze.

PRUE (CONT'D)

Are we understood?

Pierce raises up his glare. He swallows.

PIERCE

Yes, my Queen.

PRUE

Good.

Prue deviates her eyes from Pierce.

PRUE (CONT'D)

Leave us!

That didn’t sound like a request. It was an order. Pierce nods and walks out of the room. Once Pierce is out, Prue looks at Damon. Damon is staring at her. His eyes are wet.

DAMON

Is that true?

Prue lowers her gaze. It gives it away. Damon screams in pain.

DAMON (CONT'D)

NO!!!

Prue raises up her gaze and walks to the cell.

PRUE

I am so sorry.

Prue seems really sorry. She seems like she’s hurting too, but tries to hide it. Still, she can’t hold a tear. Prue grabs the bars.

PRUE (CONT'D)

I never meant for something like this to happen.

And then ---

BEAT - Damon REACHES out his hand and grabs Prue’s neck. Damon is mad.

DAMON

He did it?

PRUE

No.

DAMON

Then it was you.

PRUE

No.

Damon clenches tightly Prue’s neck. She is suffocating and her next words come in a whisper.

PRUE (CONT'D)

I’ll make the responsible pay.

Both stare at each other.

ON PRUE’S FACE – She’s getting red.

They stare at each other until Damon lets go of her. Prue steps back holding her neck and breathing in.

DAMON

(unsettled)

I can’t believe she’s dead.

Damon despairs.

PRUE

I will fix this, Damon.

DAMON

(rude)

How?

Prue doesn’t answer.

DAMON (CONT'D)

You’re the goddamned Queen of the World.

Prue dries her tears with the palm of her right hand.

PRUE

I still am Prue Halliwell.

DAMON

That means nothing to me, Prue. This World is what it is because of you and ---

PRUE

I’ll fix it, Damon.

Prue approaches the bars again.

PRUE (CONT'D)

I don’t know how, but I swear I’ll find a way to fix this.

DAMON

All these years, Prue, you had the chance and you did nothing.

They stare at each other.

DAMON (CONT'D)

Family members, friends. Dead. And you did nothing.

Prue swallows.

DAMON (CONT'D)

Why should I believe you will do something this time?

PRUE

(hard)

Because I saw my daughter’s hateful look against me and it is the hardest pain I’ve ever felt.

Damon is serious.

PRUE (CONT'D)

(sure)

I will fix this. I promise.

ON PRUE – She is decided.

CUT TO:

EXT. SAN FRANCISCO – GOLDEN GATE BRIDGE - DAY - DAYS LATER (2061)

STOCK footage at the bridge. It’s a rainy day. Not a single car on the bridge.

IN THE SCREEN IT READS:

‘A FEW DAYS LATER’

CUT TO:

INT. PRESCOTT MANOR – MAIN BEDROOM – DAY (2061)

The room is big and well illuminated, but it has a dark aura. It is decorated in red and black. In the center, an imposing king size bed with red blankets and black pillows.

The light that comes from the imposing chandelier illuminates the whole room.

THE DOORS POP OPEN – Two Demonic Servants open them. Prue walks in followed by Aisling. Prue wears the clothes she wore at Melinda’s funeral. She has just arrived from the funeral. The servants close the doors after they come in.

AISLING

How was the funeral?

PRUE

Sad.

Prue heads to her bed and puts the veil on the bed, then she takes off the jacket and puts it on the bed as well. She turns to Aisling.

PRUE (CONT'D)

My daughter is in so much pain.

AISLING

I can only imagine.

PRUE

Can you?

Prue is rude.

AISLING

Don’t be rude at me, Prue. We are allies.

PRUE

Allies on what exactly, Oracle?

AISLING

You know what I mean.

SOUND – A knock on the door.

Prue rolls her eyes.

PRUE

I don’t want to see anyone.

AISLING

(ignoring Prue)

Come in.

ON THE DOORS – They are opened by the servants again and ---

BEAT – Ruby, wearing a long red dress, comes in. Ruby looks at Prue and ---

BEAT AGAIN – She bows to Prue. Then she raises up and looks at Prue.

PRUE

What do you want, Ruby?

Ruby shoots Aisling a look. Ruby signs someone to come in. A servant, bringing a tray with a glass, enters.

RUBY

(to Prue)

Your tonic, Your Majesty.

Prue looks at the servant and signs her to approach.

RUBY

Strawberry. Your favorite.

The servant approaches Prue who take the tonic and drinks it at once while Ruby and Aisling look at her. The servant keeps her glare down. Prue puts back the glass on the tray and signs the servant to leave.

RUBY (CONT'D)

(to Aisling)

Can I have a moment with the Queen, please?

Aisling turns to Prue who motions her to leave.

AISLING

(indifferent)

Be my guest.

Aisling walks out of the bedroom. She opens the door herself. The servants close them.

PRUE

(to Ruby)

What is it now?

RUBY

The Source desires to have a word with you.

Prue looks seriously at Ruby.

PRUE

What for?

(upset)

Is he finally going to punish those who deserve the most severe of the punishments?

RUBY

He didn’t share his reasons with me, Your Majesty.

Prue turns around. She puts her hands on her hips.

PRUE

Just tell him I’ll be down there after I take a shower.

Ruby stares at Prue. She sees the jacket and the veil on the bed.

RUBY

Where have you been?

Prue turns around upset.

PRUE

It’s none of your business.

RUBY

He ordered you not to go to your cousin’s funeral.

PRUE

He is not my master, Ruby.

Prue walks towards her with authority. Ruby lowers her glance.

PRUE (CONT'D)

We both share the same power in here.

RUBY

(gazed down)

I know, my Queen.

PRUE

Then make sure you’ll remember it every time you imply that he has power over me.

RUBY

(raises her glance)

He is the Source of All Evil, Prue.

PRUE

(out loud)

And I am the Queen of All Evil.

Ruby swallows.

RUBY

As you wish, Your Majesty.

The doors pop open again. Aisling comes in. Prue and Ruby turn to her. Aisling stands at the entrance.

AISLING

She’s here.

Prue smirks.

PRUE

Invite her in.

Aisling nods and motions someone on the outside to come in.

BEAT – Michaela comes in. Both Prue and Michaela stare at one another. Ruby is surprised.

RUBY

Michaela! The leader of the Firestarters, what are you doing here?

MICHAELA

Your Majesty requested my presence.

Ruby turns to Prue.

RUBY

What for?

PRUE

I don’t owe you explanations, Red Witch.

(bossy)

Now, leave.

Ruby bows and turns to leave.

MICHAELA

Ruby, dear, I need you to prepare me more of that magical cream of yours.

RUBY

You still look young and beautiful, Michaela.

MICHAELA

Thanks to your magical creams. Please, mine is finishing. And make sure it works as well as it does on Her Majesty.

Michaela looks at Prue. Ruby glances at Prue and then at Michaela.

RUBY

(smiles)

Her Majesty has cupids’ genes. She doesn’t really need a cream to remain young and beautiful. But I’ll work harder on yours with pleasure.

Both Michaela and Ruby smile. Ruby walks out of the bedroom. Prue and Aisling exchange glances. Prue signs her to leave. Aisling leaves. The servants close the door.

Both Prue and Michaela stare at each other.

CUT TO:

INT. PRESCOTT MANOR - OUTSIDE PRUE’S BEDROOM - DAY (2061)

Ruby and Aisling come from Prue’s bedroom. The servants stand outsider after the door is closed.

Ruby stops. Aisling turns to her.

RUBY

What does Prue want from Michaela?

AISLING

That’s Her Majesty's business.

(smirks)

We should better mind our own business.

Aisling turns around and leaves Ruby there. She is serious.

CUT TO:

EXT. SAN FRANCISCO – DAY (2061)

AERIAL SHOTS all over the town. The rain falls heavy on the town. It almost seems like heavens are crying.

CUT TO:

EXT. HALLIWELL MANOR – DAY (2061)

SOME PEOPLE are walking upstairs and entering the manor. All of them wearing black and holding umbrellas to protect themselves from the rain. They all enter the house.

CUT TO:

INT. HALLIWELL MANOR – ENTRANCE / HALL / STAIRCASE – DAY (2061)

They all look sad. They’ve lost a dear loved one after all. Chris, Tamora, Cassandra, Junior, and Ella walk into the living room. Matt, Phoenix, Peyton, and Victoria follow them. Jo comes in. A man has his arms over her shoulders. He seems more than a friend. He is her boyfriend DAVID (28). He acts kindly towards her. David helps her to take off her coat and puts it in the coat stand as well as the umbrella. He turns to her. She seems really sad.

DAVID

(to Jo)

Hey, do you want me to take you to your room?

Jo gives him a sweet smile. He smiles back.

JO

I think I need to be alone for a while.

DAVID

Honey, it is not good for you to shut everybody out. I’m here for you.

David takes her face between her hands making her stare at him straight in the eyes.

DAVID (CONT'D)

I will always be here for you.

David kisses her softly.

JO

I know. But I really think I should stay alone for a little bit.

(lowers her gaze)

I have a lot to process.

Jo looks up at him.

JO (CONT'D)

I won’t shut you out, I promise.

This time, Jo takes the initiative and kisses him softly.

JO (CONT'D)

I’ll call you tomorrow.

David nods. Then, Jo walks towards the staircase and walks upstairs as David stares at her. He takes a deep breath.

Matt comes from the living room and looks at her cousin going upstairs. He turns to David.

MATT

She was very close to Aunt Mel. She needs time to get over this.

David looks at Matt.

DAVID

I know. But I can feel her pain, Matt, and that’s killing me. I wish she was more open to me.

MATT

Jo has always been that way. She doesn’t like to open up. She hides her feelings. I do believe she does it to protect herself.

DAVID

She doesn’t need to protect herself from me. I love her.

MATT

I know you do, but she’s been through a lot and has learned to deal with it her own way.

DAVID

I know. I’ve been there much of her life.

Matt smiles.

MATT

Come. Join us.

Matt signs him to walk into the living room. They both head in.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – DAY (2061)

Chris and Ella are talking in whispers in a corner. Cassandra, Tamora, and Junior are sitting on the couch. Peyton and Victoria are sitting on the other couch. Phoenix stands by the fireplace. Matt and David come in.

OFF TO CHRIS AND ELLA. They talk in a low voice.

CHRIS

You shouldn’t have come.

ELLA

I told you before, we had to come. Mel was my friend. We all grew up together. Besides, she Vic’s aunt.

(pauses)

Was Vic’s aunt.

Chris glances at Victoria who sits beside Peyton. Then he turns to Ella.

CHRIS

They had tried to get you both to their side. If they know you are here breaking the agreement of you and Vic staying away from us, they’ll try to get you and Vic again.

ELLA

I’ve made myself clear, Chris. I’m not joining.

CHRIS

They can hurt you.

ELLA

They won’t.

Chris seems worried. Ella notices and takes his hand.

ELLA (CONT'D)

I don’t think that we are in danger.

CHRIS

We all are in danger, Ella. Look at what happened to Mel.

ELLA

I want to believe that it wasn’t Prue’s doing.

CHRIS

She didn’t stop it either.

Chris lowers his gaze. He’s kinda processing all the pain of losing a sister. Ella approaches him and touches his face softly. Chris looks at her.

ELLA

We’ve missed you.

Ella looks at Victoria.

OFF TO VICTORIA – She has a sad face.

Ella turns to Chris.

ELLA (CONT'D)

She misses her daddy.

CHRIS

I miss you both.

Their faces approach each other and their lips touche each other. They share a short and wishful kiss. Then, they look at each other and smile.

OFF TO PHOENIX – Despite all the sadness, she seems angry.

PHOENIX

We cannot let it be.

The others look at her.

TAMORA

Dear, there’s not much we can do.

PHOENIX

We can fight, Aunt Tam, fight.

CASSANDRA

They are stronger than us, Nix. We wouldn’t last long in a fight against the Source and the Queen.

Chris and Ella approach them holding hands.

CASSANDRA (CONT'D)

We’ve lost enough family members in this fight.

JUNIOR

We’ve lost more than family members. Friends.

Junior seems down. He carries a heavy pain in his heart.

TAMORA

Not to mention those who live in hiding. I miss Pan so much.

CHRIS

Pandora made a deal with them to protect her family.

PHOENIX

(mad)

Stay out of the radar and not try to stop them. That’s cowardice, dad.

VICTORIA

I agree with my sister. We should fight.

ELLA

Vic, please, don’t start again.

Victoria stands mad.

VICTORIA

Am I wrong, mum?

Chris and Ella exchange glances.

VICTORIA (CONT'D)

They can’t keep doing this.

MATT

They rule the whole world, sis.

PEYTON

Because we let them.

TAMORA

(annoyed)

This new generation is full of knowledge.

Tamora stands. She walks towards the fireplace and looks at the wood burning inside.

ON THE FIRE – The flames have a deep yellow and red color.

TAMORA (CONT'D)

(staring at the bonfire)

We fought all we could. Every time we did, we lost something.

Victoria sits.

TAMORA (CONT'D)

My father ---

ON TAMORA – A tear runs down her face. She turns to them.

TAMORA (CONT'D)

I haven’t been able to see Sebastian for years because he is stuck Up There. The same about my mother.

Peyton lowers her gaze.

TAMORA (CONT'D)

(to Peyton)

Do you think is easy for me to decide not to fight?

Peyton keeps her gaze down.

TAMORA (CONT'D)

Do you think it was easy for Pan to chose to protect her husband and daughter instead of fighting?

PEYTON

(raises up her gaze)

I know, mum. I do, but I can’t just keep living in fear.

PHOENIX

We must do something.

Phoenix glances at them.

PHOENIX (CONT'D)

We must do it for those of us who are still alive and for those who are gone.

MATT

You are talking about going against the most powerful beings that ever walked on the face of heart, Nix.

CHRIS

We’ve managed to survive all these years.

CASSANDRA

And we’ve tried all we could. Nothing worked.

VICTORIA

Then, let’s try harder.

JUNIOR

(stands)

I’m with the kids.

Junior looks at them all.

JUNIOR (CONT'D)

If I have to die, then I’ll die fighting against evil.

ELLA

Junior, that’s your pain talking.

JUNIOR

And what about your pain? The pain all of you carry. I’ve lost Melissa because she spoke the truth. I’ve lost my father ---

(to Tamora)

--- Because he decided to defend those in need. Our mothers?

Junior glances from Chris to Cassandra to Tamora. They lower they gaze.

JUNIOR (CONT'D)

We haven’t seen Mum and aunt Phoebe for years. Aunt Piper decided to never give up and stayed here.

CHRIS

She died of heartbreak.

JUNIOR

But she never stopped believing. Not even after uncle Leo died at the hands of that Darklighter.

Junior is getting emotional.

PHOENIX

She told me once, ---

(pauses)

--- Grandmamma Piper, ---

Everybody looks at Phoenix.

PHOENIX (CONT'D)

--- That a change was possible. That we needed to keep fighting and never give up.

MATT

She told me the same.

They remain silent for seconds.

MATT (CONT'D)

Uncle Junior is right.

They all look at Matt.

MATT (CONT'D)

We should keep doing what we are supposed to. Fight against evil and protect the innocents.

VICTORIA

I agree with my brother.

CHRIS

Piper Victoria ---

Victoria looks at Chris.

CHRIS (CONT'D)

--- You are going back to New Orleans with your mother. The agreement ---

VICTORIA

(cuts him off)

I don’t care about the agreement you guys made with them.

Victoria glances at them all.

VICTORIA (CONT'D)

That’s what they want. To keep us apart and so they have better chances to win.

CASSANDRA

They have already won, Vic.

PEYTON

No.

They look at Peyton.

PEYTON (CONT'D)

Not yet.

PHOENIX

We should keep fighting.

MATT

Did you guys give up fighting Leah, the Source?

Chris, Tamora, Cassandra and Junior exchange glances.

CHRIS

This Source is much different.

MATT

And what about Darkness?

TAMORA

That was Wyatt and Prue’s doing.

MATT

No.

They stare at Matt.

MATT (CONT'D)

That was all of your doing. It’s time for us to do the same. We are all Halliwell. Warren blood runs in our veins. We don't give up.

Chris, Tamora, Cassandra and Junior exchange glances. David who has been in a corner the whole time steps forward.

DAVID

I want to fight with you, guys.

CASSANDRA

You are not a witch, David.

DAVID

I’m an Empath. I can use my power to fight as well.

TAMORA

This is insane.

Tamora turns around and stares at the bonfire.

MATT

Maybe. But we must keep trying.

Chris takes a deep breath.

CHRIS

Fine. But we’ll be cautious.

PHOENIX

Don’t worry, dad.

Chris looks at Phoenix.

CHRIS

I wish I wouldn’t, Nix. But I’ve lost too much already.

Phoenix lowers her glance. Ella takes Chris hands in a sign of support. Chris looks at her and smiles. Deep down he still believes.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. PRESCOTT MANOR – PRUE’S BEDROOM – DAY (2061)

ON MICHAELA – She glances around.

Prue is standing seriously at her.

MICHAELA

I always like the decoration of your bedroom.

Michaela turns to Prue.

MICHAELA (CONT'D)

It is royal.

Prue remains serious.

MICHAELA (CONT'D)

Why did you ask to see me, Prue?

PRUE

You defied an order of mine, Michaela.

Michaela smiles.

MICHAELA

The Source has forgiven me. 

PRUE

The Source wasn’t there.

(pauses)

I was and you disobeyed me.

MICHAELA

I received strict orders to kill the witch, Prue.

PRUE

(out loud)

You killed my own blood and I never forgave those who attempted against my own blood.

MICHAELA

As I said, the Source has forgiven me.

PRUE

The Source is not here, Michaela. I am.

MICHAELA

So, what are you going to do?

Prue walks around Michaela looking her up and down.

MICHAELA (CONT'D)

Go over his orders?

Prue smirks.

PRUE

I am the Queen. I can do whatever I want.

Prue stops in front of Michaela. Close to one another. They stare at each other in the eyes.

PRUE (CONT'D)

You know what I do when someone goes behind my orders, do you?

Michaela swallows.

MICHAELA

They pay with blood.

PRUE

(grimaces)

No, that’s the Source’s methods. I prefer clean punishment.

Prue raises her right hand and starts closing her own fist.

ON PRUE’S FIST – Closing.

Michaela looks at Prue’s fist. Suddenly, Michaela takes her hands toward her chest as she feels a hard pain in her heart. She looks at Prue in pain and starts bending before Prue.

MICHAELA

It hurts!

Prue smirks and tightens her fist even more.

PRUE

That’s for killing my cousin.

Michaela kneels down before Prue. It hurts more and more. Michaela looks at Prue, begging.

MICHAELA

(begs)

Please.

Prue tightens her fist even more and ---

Michaela's eyes start turning blank as life starts leaving her. And soon, she falls down on the floor. Her eyes open. Her life gone. Michaela is dead.

ON PRUE – She takes a deep breath.

PRUE

And that’s for making my daughter suffer.

Prue gives Michaela’s body a contemptuous look. Then she passes over her body and enters in the walking closet.

ON MICHAELA’S BODY – Lifeless.

CUT TO:

INT. PRESCOTT MANOR – HALL BETWEEN ROOMS – NIGHT - LATER (2061)

Prue walks at pace escorted by two demons wearing black suits. She wears a knee-length royal purple dress with a vintage style. She walks as a Queen. She walks towards the last door ahead of the corridor. The door that leads to the THRONE ROOM. Two servants stand outside the room.

OFF TO THE THRONE ROOM’S DOOR – It is an ornamented double door. It opens. Ruby, wearing a long red dress, comes out and spots Prue immediately. She smiles and walks towards her.

RUBY

Your Majesty!

Ruby bows.

RUBY (CONT'D)

I was going to get you. The Source is waiting for you.

PRUE

No need. I’m here.

RUBY

The conversation with Michaela took you long.

PRUE

Are you counting the time I take to deal with my minions, Ruby?

Prue sounds rude towards Ruby. Ruby doesn’t like it a bit.

RUBY

No, but ---

PRUE

No buts, Ruby.

Prue is cold against Ruby.

PRUE (CONT'D)

Michaela has finally received her punishment for disobeying me.

Prue looks seriously at Ruby who is speechless.

PRUE (CONT'D)

So please, let people know what happens when an order of mine is disrespected.

Prue looks aside while Ruby stares at her for a moment.

PRUE (CONT'D)

(to the servants)

Open it.

The servants do and Prue is about to head inside but stops as she notices that Ruby’s intentions are to follow her in as well. Prue looks at her.

PRUE (CONT'D)

I gave you an order, Ruby.

Ruby gets the message. She bows and turns around as Prue turns to walk into the room.
Ruby walks away while in the background the servants close the doors. The demons that were escorting Prue stand outside the room as well.

RUBY

You’re lucky I need you to be the Queen, Prue.

ON RUBY - She is serious.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT (2061)

The room is big and dark but some torches are lit. The torches hang from the columns that lead the way to an imponent throne chair. Beside that imponent throne's chair is another one as impotent, but smaller. Clearly, the bigger one is for a King and the other one for a Queen. A big chandelier hangs from the roof. A red carpet goes from the entrance to the throne chairs. On the bottom of the room, near the throne chairs, there is a round table with a few chairs. Some paintings hang on the walls. Whoever projected the design of this room took inspiration from King Arthur’s Tales.

ON PRUE - She stands at the entrance. Lofty. She walks ahead keeping her composure. Stops and stares at the someone everybody speaks about.

ON THE SOURCE - He stands in front of a painting. Only his back is seen. He is staring at the portrait of a couple but it can’t be seen because of the little light on the room.

Prue takes a deep breath, before announcing herself. When she speaks, her voices come with no shaking. With no fear.

PRUE

Did you want to see me?

ON THE SOURCE - He slowly turns around. The light that comes from one of the torches, makes it clear that this man has blonde hair, exquisitely combed. He wears a shiny grey suit. He is tall, elegant and ---

He finally turns around completely around and his face is finally revealed. BEAT.

ON WYATT’S FACE - He is different from the Wyatt we know. This Wyatt is evil. He is the Source. And looks good. He smirks.

WYATT

You look beautiful, wife.

ON WYATT - He keeps the wicked smirk on his face.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT - SHORTLY AFTER (2061)

ON THE PAINTING WYATT WAS STARING AT - The portrait is of Prue and Wyatt. Wyatt seating on the throne as Prue stands by his side. Both serious. Both looking very royal. And both with an evil countenance.

ON PRUE AND WYATT - They are kissing. Wyatt has Prue’s face between her hands and kisses her softly. She corresponds the kiss, but it seems like she’s keeping a certain distance from him as she stands still. They stop kissing and both open their eyes. They look at each other’s eyes.

WYATT

You look so beautiful tonight.

PRUE

I’m sure that’s not why you asked me to come here.

Wyatt smiles. He steps back.

WYATT

My beautiful and smart wife.

Prue shoots him a sarcastic smile. Wyatt turns around and approaches the table. There is a bottle of wine and two glasses in there. Wyatt starts pouring some wine into the glasses.

WYATT (CONT'D)

(glances at Prue)

How was your day?

Wyatt takes both glasses and walks towards Prue.

PRUE

Why don’t you go straight to the point, Wyatt?

Wyatt hands her one of the glasses. Prue looks at it and then looks back at Wyatt. Wyatt signs her to take it. She does.

WYATT

You went to Mel’s funeral ---

PRUE

(sarcastic)

And that’s the Wyatt I know.

WYATT

--- After ---

(pauses)

--- I commanded you not to.

PRUE

You commanded me?!

Wyatt has a sip of his wine.

PRUE (CONT'D)

Should I remind you there’s not a 'you commanding me' in here.

WYATT

I am the Source.

PRUE

(severe)

And I am your Queen.

Both stare at each other for a few seconds.

PRUE (CONT'D)

She was our blood and the woman who raised our daughter.

WYATT

Because you didn’t want to take her with us.

PRUE

Because I wanted Jo to have a choice.

WYATT

Well, my sister is dead, Prue. I cannot change that. That’s the path she chose. She could have joined us as her son did.

PRUE

We took her son and husband from her.

WYATT

Yes, but Pierce decided to join us. I wish his father changes his mind now that Mel is gone.

PRUE

(wrathful)

How can you speak like that? She was your sister.

WYATT

She was a rebel, Prue, and you know what we do with rebels.

Wyatt walks towards her. He clinks his glass against hers. Prue glances at it.

WYATT (CONT'D)

Are you still mad at me because I didn’t punish Michaela the way you wanted me to?

Prue smiles.

PRUE

Oh, love, you should not worry about Michaela anymore.

(smiles wicked)

She won’t be a problem anymore.

Wyatt seems surprised. Not in a positive way.

PRUE (CONT'D)

You might be the Source, honey, but I am the Queen. You are not the only ruler of this World. We are in this together. I’m sure you won’t get mad because I killed the leader of your Firestarters team, will you?

Prue smirks. Wyatt tries to hide the anger inside. It’s notorious that he is not pleased about the news, but tries to hide it.

WYATT

Of course, not, love.

PRUE

(smiles)

Good.

WYATT

We have guests for dinner tonight.

PRUE

I’m not in the mood.

WYATT

It’s your sister and her husband.

Prue grimaces.

OFF TO THE ENTRANCE - The doors open and Pierce comes in quickly.

PIERCE

Uncle Wyatt, Aunt Prue!

Wyatt and Prue turn to Pierce.

PIERCE (CONT'D)

Everything is set. The witches are prepared to cast the spell tonight.

Wyatt smiles pleased.

PIERCE (CONT'D)

We only need the stone.

Wyatt turns to Prue.

WYATT

Where is it?

Prue stares at Wyatt.

WYATT (CONT'D)

The stone to give life to the Terracotta Army?

PRUE

Do you want to do that?

WYATT

You know we must. We need to put an end on the rebels.

PRUE

There has been too much bloodshed, don’t you agree?

WYATT

We must, Prue.

Wyatt approaches Prue.

WYATT (CONT'D)

The Terracotta Army will help us to control the rebels.

Prue looks up at Wyatt.

PRUE

The Terracotta Army is made of stone.

WYATT

Where is the stone, Prue?

They both stare at each other. Pierce stares at them. Prue holds the glass with a hand while the other hand remains closed. She slowly opens her hand.

ON PRUE’S HAND - She opens it slowly to reveal the small purple stone.

ON WYATT - He’s face lightens up as he looks at the stone.

Wyatt reaches out his own hand to take it, but ---

Prue closes her fist against the stone. Wyatt gives her a confused look.

PRUE

I’m sorry.

WYATT

Give me that stone, Prue.

Wyatt sounds commanding. Prue smirks.

PRUE

I think I’ve made myself clear, Wyatt.

ON PRUE’S HAND - She tightens her fist even more against the stone.

PRUE (CONT'D)

We both rule this World, love.

ON PRUE’S HAND - She opens it and all that is there is dust. She had crushed the stone until it became dust. She lets it slip to the floor.

Wyatt is astonished. He looks at Prue not believing what she’s just done. Pierce is astonished too. She looks at Wyatt and drinks the wine inside her glass at once. Then she drops the glass on the floor.

PRUE (CONT'D)

Please, tell my sister that I had better things to do.

And Prue turns around and walks towards the entrance doors. They are opened from the outside. Prue walks out of the room.

Pierce looks at Wyatt who is getting red. Mad, Wyatt throws the glass against a column. The shards fall on the floor.

PIERCE

What are we going to do now?

ON WYATT - He is truly furious.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

SHOT at the Golden Gate.

CUT TO:

INT. HALLIWELL MANOR - MELINDA’S BEDROOM - NIGHT

Lights are off. Only the light of the moon enters the room.

Jo is sitting on Melinda’s bed. She is holding a small white teddy bear with a pink ribbon in its neck. Jo seems in some kind of trance.

OFF TO THE ENTRANCE - The door opens. Matt peeks in and spots Jo straight away. He stares at her for a few seconds with sad eyes. Then takes a deep breath and comes inside closing the door behind him.

MATT

I knew I’d find you here.

Jo doesn’t say a thing. Matt walks towards her and sits beside her. Matt looks at the teddy bear.

MATT (CONT'D)

I remember when she gave you that.

JO

I’m done, Matt.

A tear runs down her face.

JO

Tomorrow I’m going there and I’m gonna join them. Maybe they’ll stop.

MATT

No, Jo ---

JO

That’s what they want. Me. I’m gonna join them.

MATT

That is not the solution, Jo. We’ll find a way.

Jo turns to Matt. More tears run down her face.

JO

The Source of All Evil and his Queen want me by their side. Ready to take the place I was destined to by birthright. That’s what I’m gonna give them and that way I can protect what’s left of this family.

MATT

You are not going to do that, Jo.

JO

My mind is made, Matt. I’m sorry, but that’s the only thing I can do. Nothing you might say will make me change my mind.

Jo holds the teddy bear close to her chest and stands. She walks out of the bedroom.
Matt is truly serious.

MATT

Whatever you’re gonna do, Aunt Prue, just do it fast.

ON MATT - Concern is all over his face.

CUT TO:

INT. PRESCOTT MANOR - DINING ROOM - NIGHT (2061)

The big dining table is full of delicious food. At the table having dinner are Wyatt at the bottom, Ruby by his right side (maybe occupying Prue’s seat), Charlotte by Wyatt’s left side, and Eric by Charlotte’s side.

CHARLOTTE

I still can believe my dear sister refused to have dinner with us.

RUBY

She is still mad at what happened with Melinda.

Ruby glances at Wyatt every now and then. Wyatt seems really mad.

ERIC

It really was a shock.

Charlotte shoots Eric a look. Eric avoids his wife’s look.

CHARLOTTE

Not for me. Mel was always so good.

WYATT

Let’s stop this conversation.

It wasn’t a request.

CHARLOTTE

Sure.

RUBY

(to Eric)

How are things at the hospital? Are rebels still trying to get treatment?

Before answering, Eric analyzes careful what he’s going to say.

ERIC

Sure, but as His Majesty commanded, we can only take care of those who have accepted to live by the Source’s rules.

WYATT

And that’s how it is supposed to be. I count on you, Eric, to keep this working properly there.

ERIC

Sure.

Something crosses Eric’s mind.

ERIC (CONT'D)

Can you excuse me for a moment? I need to use the bathroom.

WYATT

Sure.

CHARLOTTE

Don’t take long, honey.

Eric forces a smile. He stands and leaves the room.

RUBY

I must confess that at first, I had serious doubts that Eric could join us.

CHARLOTTE

My husband loves me. After what we’ve been through, he knows this is what is right for us.

RUBY

Yes, honey, I know. But you were born with a dark nature inside. He didn’t.

CHARLOTTE

Like I said, Ruby, my husband loves me.

Both Charlotte and Ruby smile at each other. Wyatt rolls his eyes.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. PRESCOTT MANOR - MAIN’S BEDROOM - NIGHT (2061)

Prue comes from her walk-in closet. She is wearing black. Aisling comes following her.

AISLING

Why do you need to go to talk with a dead person?

Prue turns to her.

PRUE

I didn’t have a chance to say goodbye to Mel earlier at the funeral, not even before when she was alive.

SOUND - A KNOCK ON THE DOOR.

PRUE (CONT'D)

Come in.

The doors open and Eric comes in.

ERIC

What happened to your servants?

Prue and Aisling are surprised to see him there.

PRUE

I dismissed them for tonight. What are you doing here?

Eric glances at Aisling. Prue notices Eric is not comfortable with her.

PRUE (CONT'D)

(to Aisling)

We’ll talk tomorrow.

AISLING

Make sure you are not seen.

Prue nods. Aisling walks out of the bedroom closing the door.

PRUE

Aren’t you supposed to be downstairs having dinner with my husband?

ERIC

Well, I was missing your arrogance and disrespect for all good and kindness in the World.

PRUE

Good and kindness are forbidden in this world, Eric. And to be honest I don’t care about it.

ERIC

You destroyed the stone.

PRUE

How do you ---?

ERIC

The Source told us. He seemed a little bit mad.

PRUE

Yeah, well, I don’t care.

ERIC

And you killed Michaela.

Prue lowers her gaze.

ERIC (CONT'D)

What happened to you, Prue? Those are things you don’t do. You are ruthless. Despicable. A true Queen of All Evil.

Prue looks at him.

PRUE

Are you doubting I still am the Queen of All Evil?

ERIC

Why did you do all those things, Prue?

PRUE

I don’t know.

Prue tries to hold a tear inside.

PRUE (CONT'D)

I just know that it hurts to see my daughter suffering for what happened to Melinda.

Prue approaches Eric.

PRUE (CONT'D)

I need to find a way to change this.

Eric is surprised.

ERIC

You are evil, Prue. You have been for over twenty years. I remember Chris mentioning once that things probably weren’t lost, but you made sure we all feared you.

PRUE

And you should. I’m not good, Eric. And neither is Wyatt. Look at what we did. The World we created.

ERIC

Yeah, but right now I can see what Chris once saw in your eyes.

(pauses)

Hope.

Prue takes Eric’s hands between hers.

PRUE

Don’t have hope in me. But I will do what I can to change it.

Prue let’s go of his hands.

PRUE (CONT'D)

You should get back there. I need to say goodbye to Mel.

Eric nods and smiles.

ERIC

I have hope in you, Prue.

(bows)

Your Majesty.

PRUE

You can go.

Eric turns around and walks out of the bedroom. Prue closes her eyes and takes a deep breath. Then she opens her eyes and stares at the wall in front of her.

ON THE WALL - The wall has been painted in black and red and there is a TRIQUETRA in the middle.

Prue walks towards the wall and WAVES her hands before her.

ON THE WALL - The Triqueta disappears while an entrance to a secret room appears. Prue walks in.

CUT TO:

INT. PRESCOTT MANOR - MAIN BEDROOM / SECRET ROOM - NIGHT (2061)

The room looks pretty much like the Halliwell Manor’s attic.

Prue walks in. In the center there is a book stand very similar to that one where the Book of Shadows used to be. And there is actually a book there. Prue walks towards it and ---

ON THE BOOK - It is THE WARREN BOOK OF SHADOWS.

Prue touches the cover and opens it. She starts flipping through its pages until she reaches a page. Prue stares seriously at it. She touches the page and her eyes close. She’s having a premonition. Shortly after, she opens her eyes and looks at the page.

PRUE

Chris!

ON BOOK OF SHADOWS’ PAGE - TO GO BACK IN TIME SPELL’S PAGE.

Prue is serious.

CUT TO:

PRESCOTT MANOR - THRONE ROOM - NIGHT - LATER (2061)

Wyatt, the Source of All Evil, is sitting at his throne. Ruby stands in front of him. He is thoughtful.

RUBY

--- The best thing to do would be punishing her, but she is the Queen. You both need to rule this World together. 

(pauses)

Remember, the two of you working as one is what makes this world what it is.

WYATT

Tell me something I don’t know, Ruby.

Both stare at each other.

RUBY

What about telling you something you already know, Your Majesty?

Wyatt signs her to continue.

RUBY (CONT'D)

You need to make your eldest daughter joining us. She will be the one to take after you and the Queen.

WYATT

Prue doesn’t want to pressure her.

RUBY

The girl is an adult already. The Queen wanted her to have a free will. Well, I say you should send someone to get her.

WYATT

And do what? Force her to become evil just like that?

RUBY

I can work on her, just like I did with you and the Queen. Those methods ---

WYATT

Those methods, Ruby, worked on me better than it did on the Queen. Remember that?

RUBY

I do, your Majesty, but that was because she was sensitive. But it all turned well, didn’t it?

Wyatt looks aside.

RUBY (CONT'D)

You enjoy this, Wyatt. I gave you everything you ever wanted.

Wyatt looks at her.

RUBY (CONT'D)

Power.

WYATT

And I’ll never forget that, Ruby.

RUBY

So, what do you say about my proposal?

WYATT

Prue would kill you.

RUBY

The only one capable of killing me is locked in a tower that only I know of.

Wyatt and Ruby stare at each other.

WYATT

Fine. Ask the twins to get my daughter as soon as possible.

Ruby smiles wickedly.

RUBY

Sure, Your Majesty.

Ruby bows and turns to leave.

ON WYATT - He is serious. Pure evil.

CUT TO:

INT. MAUSOLEUM - NIGHT (2061)

Prue is behind a column. She’s hiding from someone. She peeks without being noticed and ---

PRUE POV - She sees Pierce by Melinda’s plaque.

The column where Prue’s is hiding is a little far from the place where Pierce is.

PRUE

Pierce?

She tries to hear what he’s saying.

PRUE’S POV - Pierce seems to be trying to hold back his emotions.

PIERCE

You just had to join us. You could be alive now.

(pauses)

But you didn’t. You choose to fight this battle that has been lost for a long time. This time good cannot win. Don’t you know who runs this world? It’s ruled by the most powerful beings. You should have surrender and everything could have been different. You, dad and I ---

(pauses)

--- We could have been together.

PRUE’S POV - She sees him wiping out his tears.

PIERCE (CONT'D)

I will never forgive you for that, mum. Never.

PRUE’S POV - Pierce SHIMMERS out.

Prue lowers her gaze. She takes a deep breath. She reaches her mobile phone in her skirt pocket and types something.

ON PRUE’S MOBILE PHONE - She’s typing a text to Matt. It reads:

‘I’ve got it. Meet me at the G.G. Bridge. Love, Auntie Prue.’

PRUE

This ends now.

Prue has a decided look in her face.

CUT TO:

EXT. SAN FRANCISCO - NIGHT - LATER (2061)

AERIAL SHOT OF San Francisco and the Golden Gate Bridge.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BRIDGE - NIGHT (2061)

Prue stands there very close to the edge. She looks at the almost desert town outsider.

OFF TO ORBS - Someone ORBS in behind Prue. That someone is Matt. He looks at her for a few seconds before speaking.

MATT

Auntie Prue?

Prue turns around and smiles.

PRUE

My dear boy, you came.

Matt and Prue walk towards each other and hug each other. Then they separate.

PRUE (CONT'D)

How are things at home?

MATT

(sad look)

Everybody is sad.

PRUE

Of course.

MATT

Jo ---

Matt cuts himself off, but Prue wants to know what he was about to say.

PRUE

What? What about my daughter?

Matt looks at Prue and tries to tell her what his cousin is planning.

MATT

Tomorrow she’s going to join your side.

PRUE

No.

MATT

She has made her mind.

PRUE

Well, no.

Prue hands him a piece of paper.

PRUE (CONT'D)

Take it.

Matt looks at the piece of paper.

PRUE (CONT'D)

This is the answer we were looking for.

Matt takes the piece of paper.

MATT

What is it?

PRUE

Jo needs to get back in time.

MATT

Get back in time? Aunt Prue, we’ve tried that before. It didn’t work. And well, as we know Aunt Cassandra’s ring works no more and Jo never got her own ring.

PRUE

Yeah, I know. I’ve deactivated all rings myself.

Prue looks at her own cupid ring.

ON - Prue’s Cupid Ring. Seems normal, but less shinning.

PRUE (CONT'D)

But this spell is different. It was in the Book of Shadows. I rewrote it.

MATT

Yeah, the Book of Shadows we never got to put hands on after you took it.

PRUE

Wyatt wanted to prevent this kind of things from happening.

Prue lowers her gaze.

MATT

Is he going to bring to life the Terracotta Army?

Prue looks at him.

PRUE

I kinda blew up his plans.

MATT

(surprised)

You did?

Prue nods.

MATT (CONT'D)

I know you are evil, but sometimes ---

PRUE

Don’t let me fool yourself, my dear.

(assuring him)

I am evil. I just made a promise to Jo the night she was born that I have to keep.

Matt nods. Prue holds his hands between hers.

PRUE (CONT'D)

The spell will take her to where she needs to go. She needs to be careful about the information she gives us. She cannot reveal who she is and she needs to be careful with me.

MATT

(surprised)

With you?

PRUE

Oh, yeah. I won’t like her. I know that.

Prue’s eyes start getting wet, but she tries to hold her tears inside.

PRUE (CONT'D)

Now, go.

Matt nods. He hugs her.

MATT

Thank you, Auntie Prue.

Prue smiles. Then they separate. They stare at each other for seconds and then Matt ORBS out. Prue takes a deep breath and a tear runs down her face.

CUT TO:

EXT. SAN FRANCISCO - NIGHT - NEXT DAY (2061)

AERIAL SHOTS all over the town.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (2061)

Matt and Jo are there. Matt is holding the piece of paper Prue gave him and looks at it.

JO

What makes you think that one will?

Matt looks at Jo.

MATT

Faith.

Matt walks towards her and reaches out his hand handing her the paper.

MATT (CONT'D)

Take this. Chant that spell and go there.

JO

Without you?

MATT

I need to stay, Jo. I have to protect what’s left of our family.

JO

But I need you, Matt.

MATT

It’ll be easier for you to fit in if you go alone.

(pause)

Take it.

Jo takes the paper.

JO

How do I approach them?

MATT

Just tell them the truth.

JO

I can’t tell them who I am.

MATT

Well, not that truth. Just tell them where you are from and what you’re up to.

Jo lowers her gaze.

MATT (CONT'D)

Jo, we don’t know to when this spell is going take you to. So, you need to be careful with what you tell them.

JO

OK.

MATT

Oh, and another thing.

They stare at each other.

MATT (CONT'D)

Your name is Jo Wright.

JO

Your mother’s maiden name?

MATT

As I said, they cannot know your real name. At least not just yet.

Jo nods.

MATT (CONT'D)

Now, go.

Jo jumps into Matt’s arms.

JO

I love you, cous.

MATT

I love you too, Jo.

Matt breaks the hug and they stare seriously at one another. Jo’s eyes start getting wet.

JO

You’ve been like a brother to me.

MATT

We are going to fix it. We’ll have the lives we were destined to have, OK?

Jo nods yes.

MATT (CONT'D)

Now, go!

Jo unfolds the paper and takes a deep breath. Matt looks seriously at her.

JO

(chants)

‘Hear these words,

Hear the rhyme,

Heed the secrets my heart hides.

Move me now,

Send me back

To where I wish in place and time’

Twinkling lights encircle her and Jo disappears. Matt looks at the place she just was.

MATT

Good luck, cous!

Matt lowers his gaze. Then he turns to leave the attic.

CUT TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - NIGHT (2061)

Matt comes from the attic and ---

BEAT. Prue is there waiting for him. Matt looks at her and smiles.

MATT

Auntie Prue.

PRUE

I assumed she’s gone?

Matt nods yes. Prue smiles.

PRUE (CONT'D)

Good.

Matt walks towards her.

MATT

But she doesn’t know what she needs to stop, Aunt Prue. Why don’t you tell me and we both go there and fix it?

PRUE

I can’t. I can’t tell you.

Prue takes Matt’s hands between hers.

PRUE (CONT'D)

I wish I could, but I can. But I know things will get better.

Prue smiles.

MATT

I hope you’re right.

Prue smiles again.

SOUND - Someone approaching.

They hear the steps.

PRUE

I need to go know. Take care.

And Prue DARK BEAMS out. Matt takes a deep breath.

OFF TO PHOENIX - She comes in and almost runs into her brother.

PHOENIX

Hey! What are you doing here?

MATT

I was just, huh ---

Phoenix feels the fragrance left by Prue.

PHOENIX

This perfume!

Matt doesn’t understand.

PHOENIX (CONT'D)

It smells like roses.

MATT

Eh, what?

PHOENIX

Like mum’s perfume. Remember?

MATT

Mum’s perfume?

PHOENIX

Yeah. Dad kept the last one she used.

Phoenix thinks of something.

PHOENIX (CONT'D)

Was mum here?

MATT

She is dead, Nix.

PHOENIX

I know, but ---

Phoenix shots that thought out of her mind.

PHOENIX (CONT'D)

What are you doing here anyway? Where’s Jo?

MATT

Well, about that ---

(pauses)

--- There’s something I must tell you, guys.

They stare at each other.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT (2061)

STOCK.

CUT TO:

INT. PRESCOTT MANOR - CORRIDOR BETWEEN ROOMS - NIGHT (2061)

Prue walks at pace towards her bedroom escorted by two demon guards. She is wearing an elegant short black dress.

OFF TO AISLING - She comes in a rush.

AISLING

Prue? Eh, I mean, Your Majesty!

Prue and the guards turn around and look at Aisling who stops in front of them.

PRUE

Oracle! What do you want?

Aisling glances at the demons. Prue understands the message.

PRUE (CONT'D)

Leave us!

DEMON #1

But Your Majesty ---

PRUE

(bossy)

Leave us.

The demons nod and bow. Then they walk away.

AISLING

Aren’t you tired of having those shadows walking behind you all the time?

PRUE

It is not all the time. What do you want?

AISLING

I saw ---

PRUE

What did you see, Oracle?

AISLING

Hope.

Aisling smiles.

AISLING (CONT'D)

What did you do?

Prue glances around to make sure no one is there.

PRUE

I rewrote a spell and gave it to Matt. Jo has gone back in time.

Aisling is surprised.

AISLING

But time travel spells don’t work anymore.

PRUE

They do if the creator is a Twice Blessed Witch.

AISLING

The Source will be mad.

PRUE

I’m not afraid of the Source.

AISLING

Yeah, but the rest of us are.

They keep walking towards Prue’s bedroom.

OFF TO PERI AND PATIENCE - They come out from a room nearby. Both of them wearing black with different shirts. While Peri wears a blue shirt, Patience wears a purple shirt.

PERI

Did you hear what I heard?

PATIENCE

What do we do?

PERI

We have orders to get Jo.

PATIENCE

But she’s traveled back in time.

PERI

We must tell the Source.

PATIENCE

He’ll get mad.

PERI

I know. But what do you want? Our entire life erased?

Patience nods no.

PERI (CONT'D)

C’mon, sis.

Both twins walk away in the opposite direction Prue and Aisling took.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT (2061)

Chris, Tamora, Cassandra, Junior, Ella, Phoenix, Victoria, and Peyton are there as well as Matt who is standing before all of them.

CHRIS

(to Matt)

What did you just say?

TAMORA

Jo went back in time?

ELLA

Time travel spells are forbidden and the one we tried in the past never worked.

MATT

Well, this one did. At least it took Jo somewhere.

CASSANDRA

But you don’t know where?

JUNIOR

I think you mean when.

Cassandra shoots Junior a look. Chris stands and approaches his son.

CHRIS

How did you get that spell?

MATT

It wasn’t me.

Matt glances at them all.

MATT (CONT'D)

Aunt Prue gave it to me.

They are surprised.

ELLA

What?

CASSANDRA

You mean Evil Prue?

MATT

There’s something about her, okay? I trust her.

Chris stares at his son who tries to avoid his father’s look on him.

PEYTON

How can you trust her? You don’t even know her.

PHOENIX

Yes, the few times we saw her was to witness some evil act from the Source and his Queen.

Chris holds Matt by his shoulders.

CHRIS

Tell us the truth, Matt.

Chris and Matt stare seriously at each other for a few seconds. Matt takes a deep breath.

MATT

She came and talked to me when I was a little boy.

Chris turns around and walks towards the fireplace.

MATT (CONT'D)

I was sad, because of mum. She died when I was still very little and never really got to know her. I don’t even remember her if it wasn’t for the photos.

(lowers his gaze)

And so, I needed a place to hide and cry hard.

Matt looks at Chris who is on his back.

MATT (CONT'D)

I went to the top of the Golden Gate Bridge. And I don’t know how, but she found me there. And she told me not to be afraid of her. That she loved me as if I was her own child.

They all exchange glances, but Chris who keeps staring at the bonfire.

MATT (CONT'D)

She never hurt me. On the opposite. She treated me like a mother. I know Aunt Melinda and you two ---

(to Cassandra and Tamora)

--- did the best you guys could, but ---

(swallows)

--- Aunt Prue was like a mother to me.

PHOENIX

That was her perfume, wasn’t it?

Matt looks at Phoenix.

PHOENIX (CONT'D)

It wasn’t mum’s, it was Aunt Prue’s?

Matt nods yes.

MATT

I gave it to her on her birthday.

Chris turns around. Her eyes are wet.

MATT (CONT'D)

Are you mad at me, dad?

Chris nods no and a tear runs down his face.

CHRIS

No, I just ---

Chris glances at them all.

CHRIS (CONT'D)

She kept her promise.

ELLA

What do you mean?

CHRIS

After Bianca died, Prue promised she would punish those responsible for it and would protect my children. I never wanted to believe her because she was evil.

Chris looks at Phoenix.

CHRIS (CONT'D)

(to Phoenix)

That’s why you are named Phoenix Brianna. After your mum's origins and Prue.

TAMORA

(to Phoenix)

Bianca’s spirit appeared and gave you that name. Despite all, she never stopped trusting Prue.

PHOENIX

Why didn’t you guys tell me that?

CASSANDRA

Because ---

Cassandra is speechless.

CASSANDRA (CONT'D)

I don’t have an answer to that, actually.

JUNIOR

None of us does.

VICTORIA

So, what does this mean? That Aunt Prue is not evil?

MATT

Oh, no, she is.

They look at Matt.

MATT (CONT'D)

But she is also a mother whose daughter hates her.

They exchange glances.

MATT (CONT'D)

And no matter what, a mother doesn’t want her child to hate her.

Tamora holds her daughter Peyton’s hand.

MATT (CONT'D)

Guys, there’s hope.

At that moment, the doorbell rings.

ELLA

I’ll get that.

Ella stands and walks out of the bedroom.

PEYTON

So, what do we do now?

ELLA (O.S.)

(sounds surprised)

What are you doing here?

They turn around.

SOUND - The front door closing.

OFF TO ELLA - She comes back in followed by a 21 years old woman. POSIE has long light brown hair and brown eyes.

Everybody is surprised at the visitor’s arrival. Tamora stands.

TAMORA

Posie?

Posie smiles and nods yes.

POSIE

Hey, Aunt Tam.

TAMORA

Oh, my God!

Tamora walks towards her nice and hugs her tightly. Then they separate. Tamora has a good look at her niece.

TAMORA (CONT'D)

What are you doing here? Where’re your parents?

POSIE

They don’t know I am here. I ran away after I learned what happened to Aunt Mel.

TAMORA

But why?

POSIE

Because I’m tired of living in hiding.

The girl seems revolted.

POSIE (CONT'D)

My mum made a deal. I didn’t.

Tamora looks at the others. They exchange glances.

POSIE (CONT'D)

I’m part of this family. I’m a Warren not a coward.

Posie looks at them all.

POSIE (CONT'D)

I don’t know you, guys. But I’m done. I want to fight.

Peyton, Phoenix and Victoria smile.

PEYTON

You’ve got here in time, cous.

PHOENIX

Yeah, because now, there’s hope.

Chris and Ella look at each other. Ella shrugs. Chris smiles.

CHRIS

I knew this day would come.

JUNIOR

Well, I say ---

Junior stands.

JUNIOR (CONT'D)

--- While our Jo is in the past, why don’t we fight in the present?

CHRIS

We already live in hell so be it.

They all smile. Matt and Chris smile at each other. Matt says thank you to his father.

CUT TO:

INT. PRESCOTT MANOR - CORRIDOR THAT LEADS TO THE THRONE ROOM - NIGHT (2061)

Ruby, Patience, and Peri walk quickly towards the throne room.

RUBY

All of that you told me is serious. The Source must know about this immediately.

PATIENCE

He will get mad at her.

Ruby stops.

RUBY

She has done something against the Source. This thing could jeopardize all that we’ve built here.

PERI

I’m sure we’ll find a way to stop it.

RUBY

That’s why you need to tell him all you know.

Peri and Patience nod yes. They keep walking towards the throne room. Ruby signs the servants to open the doors. They do.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT (2061)

The doors open. Ruby comes in followed by Peri and Patience.

RUBY

Your Majesty, we have something to tell you.

ON WYATT - He’s reading some documents and turns around to face them.

WYATT

Girls, what’s going on?

PERI

Mum did something wrong, dad.

BEAT - Peri and Patience are Wyatt and Prue’s daughter.

PATIENCE

She created a spell that sent Jo back in time.

ON WYATT - He is astonished.

WYATT

What?

RUBY

She wants to change the past.

ON WYATT - He is getting truly mad.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - LATER (2061)

Wyatt is sitting on his throne. Ruby, Peri, and Patience stand there before the throne.

OFF TO THE DOOR - They are opened. Prue walks in alone. The servants close the door after she is in. Prue walks at pace. She keeps her composure, but deep down she knows something is not quite right.

Both Wyatt and Prue stare at each other as Prue keeps walking towards them. Once she is in front of Wyatt, Prue glances at the twins. The twins lower their gaze. Prue turns to Wyatt.

PRUE

Why did you request me here? I was busy.

WYATT

Doing what?

Wyatt stands and walks towards her.

WYATT (CONT'D)

Going behind my back, ---

(pauses)

--- Love?

Prue smiles.

PRUE

I don’t go behind your back, Wyatt. I’m your wife.

WYATT

I’m glad you remember that.

Wyatt stands in front of Prue. Both stare at each other seriously.

WYATT (CONT'D)

Then why did you give Matt a spell for Jo to go back in time?

Prue glances at her daughters. They look guilty. Prue smiles.

PRUE

Of course, you had to spy on me, ---

(pauses)

--- Love.

Wyatt grabs Prue by her arms. He is being rude.

WYATT

Don’t play games with me, Prue.

Wyatt is truly angry.

PRUE

Let go of me.

Prue gets lose of Wyatt.

PRUE (CONT'D)

I did what I had to do.

WYATT

What you had to do? What you have to do is stick by my side.

PRUE

And what? Support you on this idea of destroying everything?

WYATT

I’m not destroying everything. I’m building something new. We are. What’s wrong with you lately, woman?!

Wyatt turns around.

ON PRUE - Her eyes start getting wet. Her face starts getting red. All her self is getting angrier.

PRUE

You are destroying our own blood.

Wyatt turns to her.

PRUE (CONT'D)

I’m sorry if I’m tired of seeing how our family and friends keep dying.

WYATT

They’ve chosen that.

PRUE

(out loud)

No, they haven’t. The only thing they’ve done is fight this.

WYATT

Fight us. They’ve been trying to destroy us.

PRUE

No, Wyatt. They've been trying to save us all.

WYATT

From what exactly?

They stare at each other.

WYATT (CONT'D)

I am the one who saved us all. I am the one who has protected my family. If it wasn’t for me, Jannes would have killed you and everybody.

PRUE

No, he wouldn’t. You just chose to believe that it was the only way. 

Tears start running out Prue’s face.

PRUE (CONT'D)

I didn’t choose to become what I am.

WYATT

Well, honey, too bad, because you are great at being evil. It was born with you and it was born with me and this is what we are. So, face it and live with it.

Wyatt turns to the twins.

WYATT (CONT'D)

Do whatever you have to, but bring Matt here.

PRUE

No ---

Prue is about to do something, but Wyatt WAVES his hands and suddenly Prue is FREEZE. Wyatt turns to the twins.

WYATT

I want to know what spell he used and then I want your sister here.

Peri and Patience nod.

WYATT (CONT'D)

We are reconstituting the power of three no matter what.

PERI

Yes, father.

WYATT

Go know.

Prue UNFREEZES just in time to see her daughters DARK ORBING (Peri) and DARK BEAMING out (Patience).

PRUE

What will you do?

Wyatt turns to Prue.

WYATT

I’m gonna fix your mess, darling.

PRUE

No, if I can stop it.

And Prue WAVES her hands and THROWS Wyatt against the throne chairs.

ON RUBY - She astonished.

Wyatt tries to stand up immediately. He looks at Prue. Rage is clear in his face.

WYATT

You shouldn’t have done that.

Wyatt WAVES his hands and THROWS Prue across the room. The woman falls on the floor. She tries to stand immediately and looks at Wyatt. She is about to use her powers again, but Ruby steps between them.

RUBY

Stop it!

Ruby glances at them both.

RUBY (CONT'D)

You don’t want to destroy the world. That’s what will happen if you two fight each other. That way there won’t be a world to fight for because we all will go down with the two of you.

Wyatt and Prue look at each other.

PRUE

The world is already destroyed, Red Witch. And we have you to thank for that.

Prue shots Ruby a despicable glance, then she looks one last time at Wyatt. Prue turns around and leaves the room.

ON WYATT - He is serious and mad.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT (2061)

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (2061)

Matt, Phoenix, Posie, Peyton, and Victoria are there searching in the drawers and boxes that are in the attic.

PEYTON

Couldn’t we start this search tomorrow during day time?

VICTORIA

It’s going to be a long night, but I agree, we must.

MATT

There’s no time to lose.

At that moment, Peri DARK ORBS in followed by Patience who DARK BEAMS in and Pierce who SHIMMERS in.

Phoenix sees them appearing.

PHOENIX

I guess we’ve got some company.

They all turn and see the visitors. Pierce glances around.

PIERCE

It’s been a while.

Pierce looks at his cousins.

PIERCE (CONT'D)

Can't you keep this place clean? This is a mess.

Matt walks forward.

MATT

What are you three doing here?

PEYTON

Yeah. We’ve got protection spells and crystals all over the house.

PERI

We share the same blood, remember?

PATIENCE

Those spells and crystals can’t stop us.

Posie whispers to Victoria.

POSIE

I assume these are our cousins from hell.

VICTORIA

You guessed right.

PERI

(to Matt)

We came for you, Matt.

PATIENCE

The Source needs to have a chat with you.

PIERCE

Actually, he authorized me to have a chat with him first.

Patience and Peri roll their eyes.

PATIENCE

Whatever you say, Pierce.

Pierce smiles.

MATT

Well, tell uncle Wyatt that if he wants to chat with me, he can come himself.

PERI

(smiles sarcastic)

Oh, no, you don’t understand.

PATIENCE

He’s not asking Matty Matt.

PERI

He’s commanding.

MATT

I don’t take orders from him.

Peri, Patience and Pierce exchange glances. Then they turn to Matt.

PERI

Well, then we’re going to use our methods.

Both Peri and Patience exchange glances. They nod at each other and then both hold hands. They look at the others. Matt realizes what’s to come ---

MATT

(out loud)

Watch out!

From the twins' hands comes some sort of ENERGY BALL which they send straight to Matt, Phoenix, Peyton, Posie, and Victoria. They all are thrown backward and fall on the floor. Peyton and Posie are unconscious. Phoenix and Victoria try to stand. Matt gets on his knee.

PERI

(to Pierce)

Get him.

Pierce walks towards Matt.

PIERCE

It’s over, cous.

Pierce touches Matt’s shoulder and SHIMMERS out.

PHOENIX

No!

Phoenix and Victoria stand.

PATIENCE

Say hi to the rest of the family for us.

Peri DARK ORBS out while Patience DARK BEAMS out. Phoenix and Victoria exchange glances.

CUT TO:

INT. PRESCOTT MANOR - PRUE’S BEDROOM - NIGHT - LATER (2061)

Prue comes from her walk-in-closet wearing some leather black pants and a black leather top with a black leather jacket as Aisling storms into the bedroom. Prue is surprised. The servants stare at Prue. Prue signs them to leave. The servants do. Prue turns to Aisling.

PRUE

I’m glad you came. I need to protect Matt.

AISLING

It’s too late.

Prue gets serious.

PRUE

What do you mean?

AISLING

Your daughters and Pierce just arrived with Matt.

Now Prue is worried.

PRUE

What?

AISLING

They’ve taken him to the dungeons. From what I’ve heard, they are torturing him.

PRUE

I can’t let that happen.

AISLING

There’s nothing you can do, Prue.

Prue is about to walk out of the bedroom.

PRUE

I am the Queen.

AISLING

Wyatt has forbidden all demons to let you in.

Prue turns to Aisling.

PRUE

He did what?

AISLING

He said that whoever lets you in, will die.

PRUE

Well, they’ll die anyway if they don’t.

Aisling approaches Prue.

AISLING

C’mon, Prue, think.

They stare at each other.

AISLING (CONT'D)

Be smart. How are you going to protect Matt if you go against Wyatt?

PRUE

I made a promise to Bianca and Chris, Aisling. I am Matt’s godmother. I need to protect him.

AISLING

I know, but let’s be smart.

(pauses)

I have a plan. We just need to wait for the right moment.

Prue takes a few seconds to think. Then she looks at Aisling.

PRUE

I’m all ears.

Aisling smiles.

AISLING

I think is time for you to do the right thing. They need to know who they truly need to stop.

ON PRUE - She is serious.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TO DAY (2061)

A new day, a dark day starts.

CUT TO:

INT. PRESCOTT MANOR – DUNGEONS – ROOM OF CELLS - DAY (2061)

Damon is on the cell with Matt. Matt has some bruises in his face and blood in his clothes. Damon stares at him.

DAMON

They beat the hell out of you, Matt.

Matt tries to smile with some difficulties. He is full of pain.

MATT

It’s so nice to see you, Uncle Damon. I just wish it was under different circumstances. 

DAMON

What do they want from you?

MATT

A spell.

DAMON

A spell to what?

MATT

To go back in time.

DAMON

They are forbidden and most of the time don’t work.

MATT

This one does.

OFF TO THE DOOR - It opens. Prue comes in.

Damon and Matt look at her. Damon stands and helps Matt to stand. Prue looks at Matt’s face.

PRUE

Oh, Matt.

Prue walks towards the bars and looks closely at Matt’s face.

MATT

(makes fun of it)

The other guy got worse. Believe me.

PRUE

It’s not funny.

DAMON

What are you doing here, Prue? I heard them saying you were forbidden to come down here.

PRUE

I am the goddamned Queen of All Evil, Damon. No one can stop me.

(smiles)

The Oracle gave some sleepy potion to the guards and they are sleeping like babies.

Matt smiles and feels pain.

MATT

Can help me on this?

Matt signs to his face.

MATT (CONT'D)

I must look like shit.

Prue smiles. She steps back and WAVES her right hand.

ON LOCKER - It opens.

Damon and Matt are surprised. Prue opens the cell.

DAMON

What are you doing, Prue?

PRUE

Releasing you both.

Damon and Matt walk out the cell.

MATT

Aunt Prue, I can take anything.

PRUE

No, Matt. This ends today.

Prue approaches Matt and touches his face.

PRUE (CONT'D)

My sweet boy!

Some tears start running down Prue’s face.

PRUE (CONT'D)

I promised your mother that I would take care of you. That’s what I’m doing.

Prue takes a deep breath.

PRUE (CONT'D)

You remember the spell?

Matt nods yes.

PRUE (CONT'D)

You need to cast it.

MATT

But ---

PRUE

(cuts him off)

You need to go back in time. You must be fast. If the twins find you, Patience could force a premonition out of you.

MATT

She tried before, but I fought it.

PRUE

Good.

DAMON

But Prue, how is he going to stop you and Wyatt from becoming evil.

Prue glances at Damon and then at Matt.

PRUE

Because I’m gonna tell you exactly who you need to stop.

DAMON

Jannes?

Prue nods no.

PRUE

Jannes didn’t do this.

DAMON

But we thought he was the one who turned you both into your evil versions. That’s why Wyatt vanquished him. So, no one would know how to reverse it.

PRUE

That’s not what happened.

(pauses)

You don’t remember, because of all your memories of this someone were taken from you. All those who know about her, those who see her walking through this mansion, think that she’s no more than a simple adviser.

MATT

I don’t understand. It’s a she?

Prue nods.

PRUE

Only me, Wyatt, the Oracle, Pierce, and the twins know who she really is.

MATT

Who is it?

PRUE

The Red Witch.

MATT

Red Witch?

PRUE

She goes by Ruby. And when you go back in time she’s known by Ruby Lafontaine. She used to be CEO of Prescott Group, you know, before Wyatt. She was the one who handed Wyatt the power of the Group.

DAMON

Why didn’t you tell us that before, Prue? 

Prue looks at Damon.

DAMON (CONT'D)

I mean, we could have stopped this before.

PRUE

I couldn’t.

Prue’s eyes get wet.

PRUE (CONT'D)

I made an unbreakable promise.

Damon and Matt exchange glances. Matt turns to Prue.

MATT

What happens if you break it?

Prue’s tears come out strongly.

PRUE

I’ll die.

Damon and Matt start worrying. They just realized what will happen.

DAMON

Prue ---

PRUE

You must go.

Matt hugs Prue tightly.

MATT

Oh, Aunt Prue. Why did you do this?

PRUE

Because I made a promise to my daughter the day she was born and for those I love, I will sacrifice.

Matt and Prue separate. Prue touches Matt’s face.

PRUE (CONT'D)

I love you, Matt.

MATT

I love you too, Auntie Prue.

PRUE

Take care.

A tear runs down Matt’s face. He nods. Prue looks at Damon.

PRUE (CONT'D)

I’m sorry, we took you from her.

Damon holds Prue’s hands.

DAMON

It wasn’t you, Prue. None of this is your fault. Not you, neither Wyatt.

Both hug each other.

DAMON (CONT'D)

Thank you.

They separate.

PRUE

Go. You’ll be able to orb and shimmer out once you reach the top of the stairs. The Oracle is watching.

Matt and Damon nod.

PRUE (CONT'D)

(to Matt)

Be safe and tell Jo that I love her.

Matt nods. Then, both Matt and Damon leave the cave.

ON PRUE - She can’t hold her tears inside so, she cries hard.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO - DAY (2061)

AERIAL SHOT of the town.

CUT TO:

INT. PRESCOTT GROUP - THRONE ROOM - DAY (2061)

Wyatt is mad. Truly mad. He sends RAYS OF ENERGY all over the room.

WYATT

How did you let him escape?

Ruby, Peri, Patience, and Pierce are there.

PERI

I’m sorry, father.

WYATT

(mad)

You are sorry?

Peri and Patience exchange glances.

WYATT (CONT'D)

(to Peri, Patience, and Pierce)

Only someone with my blood can open the cages and as far as I know you three share my blood.

OFF TO THE DOORS - They open.

They all look at it.

Prue comes in followed by Aisling. Wyatt and Prue look at each other.

PRUE

I share your blood too.

And Wyatt realizes that it was Prue who released the prisoners.

WYATT

(astonished)

It was you?

Wyatt feels betrayed. They all are surprised.

WYATT (CONT'D)

Why?

PRUE

Because I had to.

WYATT

You are supposed to be on my side.

PRUE

I am, honey, believe me, I am.

WYATT

Then why betraying me?

PRUE

I didn’t betray you. I’m trying to save us all. To save our family.

Wyatt and Prue stare at each other. Somehow, Wyatt feels there’s more.

WYATT

What did you do?

Prue smiles.

PRUE

I told them everything.

ON RUBY - She is serious.

Prue looks at Ruby.

PRUE (CONT'D)

Who they really need to stop.

Ruby’s eyes wide open.

RUBY

But that ---

PRUE

Yeah.

Wyatt glances from Ruby to Prue.

WYATT

You broke it?!

Prue’s eyes get wet. She feels a pain in her chest and takes her hands towards her chest.

PRUE

I did.

WYATT

But you’ll ---

PRUE

I know.

The pain in Prue’s chest gets stronger. Prue tries to disguise it. Peri and Patience start getting worried.

PATIENCE

Mum, are you okay?

Prue looks at her daughters.

PRUE

Everything will be okay, babies.

Prue holds her chest. The pain is growing. Wyatt stares at his wife.

WYATT

Why?

Prue tries to resist the pain. She looks up at Wyatt.

PRUE

Because ---

Prue is about to fall on the floor, but Wyatt is faster and holds her in his arms. She is feeling so much pain in her chest.

PERI

Mum ---

Wyatt holds Prue in his arms strongly.

WYATT

You are so stupid, love. Why did you do this?

A tear runs down Wyatt’s face. He lowers down on his knees holding her.

PRUE

Because I made a much more important promise to our daughter the night she was born. I promised I would do everything to protect her.

Tears run down both his faces. Peri, Patience, and Pierce approach them.

WYATT

You are so stupid. I cannot lose you.

PRUE

Everything will be fine.

Prue coughs.

WYATT

You can’t leave me.

Prue touches Wyatt’s face.

PRUE

I love you.

WYATT

No, Prue.

ON PERI AND PATIENCE - Tears run down their faces.

ON PIERCE - He is serious.

PRUE

I’ll always love you, Wy.

ON PRUE’S HAND - It slips heavily on her lap.

ON PRUE’S FACE - Her eyes close slowly.

ON AISLING - A tear runs down her face.

ON WYATT - His eyes are so wet.

He holds her strongly against himself.

WYATT

(out loud)

NO!!!

Wyatt grabs Prue’s lifeless face and tries to wake her up.

WYATT (CONT'D)

Prue!

She is dead.

PATIENCE

Oh, mum ---

Wyatt looks at her.

WYATT

You can’t leave me, love.

Ruby approaches them.

RUBY

We should focus now on stopping her plans.

PERI

(rude)

Let us grieve our mother, Ruby.

Ruby swallows. She looks at Prue’s body.

ON WYATT - He keeps staring at his wife’s dead body. Something calls for his attention.

ON PRUE’S CUPID RING - Wyatt takes it from her hand.

WYATT

Prepare her body. She deserves a Queen’s funeral.

AISLING

I’ll take care of it.

RUBY

I’ll arrange everything for the funeral.

Wyatt keeps holding Prue in his arms and then he tightens his fist against the ring. He lowers down and kisses her lips softly. His tears stop.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT - LATER (2061)

STOCK.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT (2061)

ON MATT’S FACE - His bruises are being healed.

Chris has his hands over his son’s face.

CHRIS

Now you look better.

MATT

Thank you, dad.

Matt stands. Everybody is there including Damon.

TAMORA

(to Damon)

I’m so glad you are back, Damon.

Damon smiles.

CASSANDRA

But how did that happen?

DAMON

Prue.

They all are surprised.

JUNIOR

What?

DAMON

She is not that evil.

Everybody seems surprised.

DAMON (CONT'D)

I mean, she is, but ---

MATT

Something is holding her back.

TAMORA

What would that be?

MATT

A promise she made when Jo was born.

PHOENIX

What promise?

Cassandra remembers.

CASSANDRA

To protect her. Especially from evil.

Cassandra smiles.

CASSANDRA (CONT'D)

Not to mention all the promises she made during her pregnancy.

CHRIS

Yeah.

PEYTON

So, what’s the plan now?

MATT

I’m gonna go back in time.

CHRIS

What?

MATT

Dad, I have to.

ELLA

But how are you going back in time?

MATT

I remember the spell.

(smiles)

That’s why she gave it to me. She knew I would remember.

JUNIOR

But going back in time ---

(pauses)

--- How are we going to fix this?

MATT

Not we. I’ll go alone. You guys need to protect what’s left.

CHRIS

Son, ---

MATT

No, dad. I must do it.

SOUND - DOORBELL RINGS.

ELLA

I’ll get that.

Ella leaves the room.

VICTORIA

But Matt, how do you know what you are supposed to do?

CASSANDRA

Well, first you must stop Wyatt and Prue from becoming evil.

TAMORA

How are they going to vanquish Jannes?

POSIE

Who’s Jannes?

PHOENIX

A Wizard that uncle Wyatt vanquished shortly after becoming evil.

MATT

Jannes is not behind this.

They all seem surprised.

OFF TO ELLA - She comes in followed by David. Jo’s boyfriend.

DAVID

You guys, I have been worried. Jo is not picking up his phone.

MATT

Yeah, she’s not around.

PEYTON

Jo has gone back in time and now Matt is going to do the same.

DAVID

(confused)

What?

CHRIS

No, that’s not decided yet.

MATT

That’s decided, dad.

Matt lowers his gaze.

CHRIS

Who is it?

SOUND - Doorbell rings again.

ELLA

I’ll get that.

Ella leaves the room again. Matt glances at them.

MATT

She’s been under our noses all the time. Unnoticed.

TAMORA

Who?

OFF TO ERIC - He comes in. Ella comes in as well.

JUNIOR

Eric? What are you doing here?

ERIC

She’s dead.

TAMORA

Who?

ERIC

Prue.

CHRIS

What?

They all seem surprised, but Damon and Matt.

MATT

When she told me who needs to be stopped, she broke a promise.

DAMON

She broke an umbreakable promise.

ERIC

And she died because of that.

CASSANDRA

(schoked)

My sister is dead?

She sits on the couch. She is shattered.

MATT

That’s why I need to go back in time. To stop Ruby LaFontaine.

TAMORA

Ruby LaFontaine?

ERIC

What does Ruby have to do with all this?

DAMON

She was the one responsible for turning Wyatt and Prue into their evil selves.

ERIC

(surprised)

What?

Matt looks at his father.

MATT

I need to go, dad.

VICTORIA

If you go ---

They look at Victoria.

VICTORIA (CONT'D)

--- My existance could be erased.

PEYTON

All of our existance.

Ella approaches Victoria.

ELLA

Vic!

Victoria approaches Matt.

VICTORIA

But you should do it.

Matt hugs his baby sister.

MATT

I love you, sis.

VICTORIA

I love you too.

They separate. David approaches Matt.

DAVID

I’m going with you.

MATT

David ---

DAVID

No.

Matt and David stare at each other.

DAVID (CONT'D)

It’s decided.

Matt nods. Then he glances at them all.

MATT

I love you, guys.

Phoenix approaches Matt and hugs him.

PHOENIX

I can’t believe you are going back in time without me.

They separate.

PHOENIX (CONT'D)

Tell mum that I ---

She’s unable to finish.

MATT

I will.

POSIE

Tell my mum not to hide.

Peyton puts an arm over her cousin’s shoulder.

PEYTON

Tell dad I can’t wait to see him again.

DAMON

Tell Mel I love her.

Matt smiles.

MATT

Does it mean that I’m allowed to tell them about the future?

Matt looks at Chris.

CHRIS

We want to change it, don’t we?

Matt nods.

CHRIS (CONT'D)

Just be careful. There’re some things that are simply destined to be.

MATT

Don’t worry, dad. I know.

Chris hugs his son. Chris looks at Ella.

CHRIS

Tell ---

Ella smiles at Chris. It’s a sign of support.

CHRIS (CONT'D)

--- Just tell her I miss her.

Matt and Chris separate. He glances at them all.

MATT

When I get back, everything will be different.

They nod. Matt signs David to get ready.

MATT (CONT'D)

(to David)

Can we go?

DAVID

Let’s do this.

MATT

Just feel my words.

Both of them smile. Matt reaches out his hands for David to hold them. Matt takes a deep breath. Then he chants. David closes his eyes.

MATT (CONT'D)

(chanting)

‘Hear these words,

Hear the rhyme,

Heed the secrets my heart hides.

Move me now,

Send me back

To where I wish in place and time’

Twinkling lights encircle Matt and David they disappear. The others stare at one another. Phoenix and Victoria go to hug Chris.

POSIE

Maybe in a few minutes, we won’t even remembre any of this.

PEYTON

Maybe.

TAMORA

Have faith.

ELLA

And let’s fight while we are here.

JUNIOR

Agree.

Eric smiles.

ERIC

Wyatt is still the Source. And now that he has lost Prue, he’ll be worst than ever.

DAMON

It’s a good thing that we are all together, huh?!

CASSANDRA

(stands)

Let’s do it.

ON CHRIS - He smiles.

CHRIS

Let’s do it.

They all smile. Hope has reborn in their hearts.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT (2061)

The room is darker than before.

In the center, there is a black stone table. Over it, Prue’s dead body is lying. She has been dresses with a long black dress. Her makeup well-done and her long black hair beatifuly combed. Her body is covered with a black veil.

Next to the stone table is Wyatt. He wears a dark black suit. He looks at her dead body.

From behind, his daughters approach him. They both wear black dresses.

PERI

Dad ---

Wyatt looks at them over his shoulders.

PATIENCE

We are so sorry.

Wyatt turns his gaze to Prue’s body.

WYATT

Did you know that she loved you both, right?

PERI

We do, dad. She always showed us she loved us.

PATIENCE

She just was never complete without our eldest sister.

WYATT

Our family was never complete without Jo.

Wyatt turns to his daughters.

WYATT (CONT'D)

That’s why we need to get your sister back.

PERI

But that won’t bring mum back.

Wyatt reaches out his hand and opens his fist.

ON WYATT’S PALM - Prue’s Cupid Ring.

The twins look at the ring.

PATIENCE

That’s a cupid ring.

(looks at Wyatt)

The only ring that still works.

WYATT

You are a cupid-witch, Patience.

Patience stares at her father.

PATIENCE

I'm more like an Angel of Hate, dad.

WYATT

You have your mother's genes. You've got all cupid's powers.

PATIENCE

I’ve never ---

WYATT

It was your mother.

PERI

You want us to go back in time using mum’s ring?

WYATT

Would you girls do it?

Peri and Patience exchange glances.

WYATT (CONT'D)

Or would you disappoint me?

PERI

We would never disappoint you, dad.

PATIENCE

Never.

WYATT

Good. Take it. bring Jo back and warn Ruby about this.

Peri and Patience nod. Patience takes the ring from Wyatt.

WYATT (CONT'D)

Now leave me alone with your mother.

Peri and Patience nod and turn to leave. Wyatt turns around and looks at Prue’s dead body.

WYATT (CONT'D)

I won’t lose you. I can’t.

Wyatt lowers down and kisses her lips over the veil.

WYATT (CONT'D)

I love you, Prue.

ON WYATT - A tear runs down his face.

CUT TO:

EXT. DARK TOWER - SOMEWHERE IN A DEEP FOREST IN FRANCE - NIGHT (2061)

STOCK.

CUT TO:

INT. DARK TOWER - CELL - NIGHT (2061)

The cell is dark. A female figure is sitting on the floor covered with a white dirty cape. The blonde woman has her head down and doesn’t seem to be in good shape.

OFF TO THE STEEL DOOR - It opens. Ruby, wearing her red cape, comes in.

Ruby walks over the blonde woman.

RUBY

Hello, sister.

The blonde woman raises her head slowly. BEAT. It is Blanche.

RUBY (CONT'D)

(smiles)

Prue is dead.

Blanche gets sadder as she hears that.

RUBY (CONT'D)

It appears that her good side was trying to come out. But things are going to be okay. That way Wyatt can rule alone. Pure evil that man.

Ruby laughs.

RUBY (CONT'D)

I must confess that now that he is a widow, it actually feels great. He and I always had this conection.

(bites her lips)

He’s kinda hot.

(dreaming)

Maybe I can rule by his side.

Blanche doesn’t look at Ruby. Ruby looks down at Blanche. Then she lowers down and stares at her sister.

RUBY (CONT'D)

What do you think, sis? Will I be a great Queen like she was?

Blanche turns to Ruby.

RUBY (CONT'D)

It’s such a shame you are the only one who can defeat me. Otherwise, I would love to have you by my side when I’ll become Queen.

BLANCHE

You’ll never become Queen, Ruby. There’s something you are not counting on.

Ruby stands. She gets serious.

BLANCHE (CONT'D)

(smiles)

Love is a very powerful weapon, ---

(pauses)

--- Sister.

RUBY

(angry)

We’ll see about that.

Blanche keeps the smile on her face.

BLANCHE

Things will change, Ruby. I can fell it.

Ruby shots her a disdainful look. Then she turns around and leaves. Blanche smiles.

BLANCHE (CONT'D)

Yeah, Ruby, love is the answer. You don’t know because you never felt love.

Blanche leans her head back and smile. Her smile is full of hope.

THE CAMERA MOVES AWAY - Slowly. Until it ---

FADES TO BLACK.

END OF THE EPISODE